Naturally, one’s performance art is ordered in a chronological manner, yet the viewer may not be aware of those which took place before it.

The works Maurice does often do not carry a title. (And that’s no “untitled” which he considers a title too) He tends to think that a name can draw away the attention from what the piece is (or maybe could be) – just itself. Although his works are performative, he does seem to consider himself a sculptor, or rather, remaining with a sculptural attitude.